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C.F.A. Voysey : ウィキペディア英語版
Charles Voysey (architect)

Charles Francis Annesley Voysey (1857–1941) was an English architect and furniture and textile designer. Voysey's early work was as a designer of wallpapers, fabrics and furnishings in a simple Arts and Crafts style, but he is renowned as the architect of a number of notable country houses.
He was one of the first people to understand and appreciate the significance of industrial design. He has been considered one of the pioneers of Modern Architecture, a notion which he rejected. His English domestic architecture draws heavily on vernacular rather than academic tradition, influenced by the ideas of Herbert Tudor Buckland (1869–1951) and Augustus Pugin (1812–1852).
==Education==
Born at Kingston College, at Hessle, Yorkshire on 28 May 1857, he was the eldest son of Rev. Charles Voysey, a Church of England priest who was deprived of his living in 1871 for his heterodox views. The family moved to London where his father founded the Theistic Church. Voysey was educated by his father, then briefly at Dulwich College.
In 1874 Voysey was articled for five years to the architect J. P. Seddon, with whom he subsequently remained a further year as chief assistant. From Seddon Voysey learnt the 'Gothic' principles of design first propounded by A. W. N. Pugin: elevations should grow naturally out of the requirements of the plan and only ‘honest’ construction should be used. Seddon and Voysey both believed in following these principles of design without slavishly copying Gothic styles. But, however freely Seddon interpreted the Gothic styles, his work remained discernibly Gothic, whereas Voysey’s mature work eliminated all trace of period styles. Voysey followed Seddon in believing, like Pugin, that it was the business of an architect to make designs not only for buildings but also for the allied crafts.
In 1879 Voysey spent a brief period as assistant to the architect Henry Saxon Snell (1830–1904), and from 1880 to 1881 he worked as an assistant in the office of George Devey, who was a follower of his father's Theistic Church. There he gained valuable site experience, and would have encountered Devey's skill as a watercolourist and his considerable knowledge of English vernacular architecture. In 1881 or early 1882 Voysey set up his own practice in London.

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